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Roger
Allen, Arabic, Near Eastern Languages and Civilizations: Arabic literature, narrative. The
Arabic Novel: An Historical and Critical Introduction, The Arabic Literary Heritage.
Rita Barnard,
English: 20th century
American literature, African literature, postcolonial studies,
global modernities. The Great
Depression and the Culture of Abundance: Kenneth Fearing, Nathanael
West, and Mass Culture in the 1930s, Apartheid and Beyond: South African Writters and the Politics of Place.
Aditya
Behl, South Asia
Studies.
Dan Ben-Amos,
Near East Languages and Civilizations, Folklore and Folklife:
Jewish folklore, African folklore, myth, oral narrative and storytelling,
the theory and definition of folkloristics. Mimekor Yisrael
(ed.), The Folktales of the Jews, vol. 1 (ed.), Jewish Folk Literature.
Warren
Breckman, History.
Kevin Brownlee,
French and Italian: late medieval and Renaissance French and Italian
literature. Poetic Identity in Guillaume de Machaut.
Rebecca
Bushnell, English:
Greek classical tragedy, English Renaissance drama, Renaissance
humanism, pedagogy. Tragedies of Tyrants: Political Thought
and Theater in the English Renaissance.
Roger Chartier,
Annenberg Visiting Professor at the University of Pennsylvania and
Directeur d'Etudes at the Ecole des Hautes Etudes in Paris: Early
modern European history, history of education, history of the book,
and history of reading; the relationship between literary history
and the history of written culture in France, England and Spain;
methodological relations between history and philosophy, sociology,
anthropology. Le Jeu de la règle (Bordeaux, 2000) and Les
origines culturelles de la révolution française (Paris, 2000)
Randall
Collins, Sociology:
Sociological theory, sociology of intellectuals, social conflict.
The Sociology of Philosophies: A Global Theory of Intellectual
Change (1998), Interaction Ritual Chains (2004).
Rita
Copeland, Classical
Studies, Comparative Literature: History
of literary theory and history of rhetoric, medieval studies and
passages from antiquity to the pre-modern, and pre-modern intellectual
discourses and practices. Pedagogy, Intellectuals, and Dissent
in the Later Middle Ages.
Timothy Corrigan,
English and Cinema Studies: Modern American and international cinema, pedagogy
and film. Writing about Film (4th ed., 2001), New German Film: The Displaced Image, A Cinema Without Walls: Movies and Culture after Vietnam.
Stuart
Curran, English:
English Romantic poetry, women poets in the Romantic period; Anglo-Italian
Romanticism. Poetic Form and British Romanticism.
Margreta
deGrazia, English:
Renaissance English literature, primarily drama and poetry, the
construction of the Renaissance and Early Modern periods, the production,
tradition, and reproduction of Shakespeare's texts. Shakespeare
Verbatim.
de la Campa, Román,
Romance Languages: Comparative views of Latin America, American, and
Latino literatures, critical theory, cultural practices. Nuevas cartografias latinoamericanas (Letras Cubanas: Havana, 2006). In progress: Split-States and Global Imaginaries (Verso, 2007).
Joan DeJean,
French: 17th and 18th century French literature, women's writing,
history of the transmission of culture and disciplines, history of sexuality, history of print culture. Fictions
of Sappho: 1546-1937
Emma Dillon,
Music: musicology, specialising in French song and sound c.1150-1350, manuscripts, medieval emotions, the history of the motet. Medieval Music-Making and the Roman de Fauvel (2002). At work on The Sense of Sound: Music and Meaning in Medieval France; The Motet: An Introduction.
David Eng, English: psychoanalysis; critical theory; queer studies; 20th century American, Asian American, and Chinese literature and film. The Feeling of Kinship: Queer Liberalism and the Racialization of Intimacy (forthcoming), Racial Castration: Managing Masculinity in Asian America (2001).
Jim
English, English:
20th century Anglophone literature, critical theory, sociology of culture. The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value (2005).
Joseph
Farrell, Classical
Studies: Greek and Latin literature, constructions of classicism,
genre theory, history of culture. Vergil's Georgics and the
Traditions of Ancient Epic, Latin Language and Latin Culture from Ancient to Modern Times.
Fabio Finotti,
Romance Languages: Intertextual strategies in Italian literature,
relationships among different national traditions, codes, media,
genres, and social structures, rhetorical metamorphosis and
multiplications of the 'self' from the medieval stage to contemporary
writers. Retorica della diffrazione. Bembo, Aretino, Giulio Romano e Tasso: letterature e scena cortigiana.
Barbara Fuchs,
Romance Languages: Early modern Spanish and English literature
and culture, literature and imperialism, critical histories of the
nation, theorizing "postcolonial" approaches to early
and pre-modern periods. Passing for Spain: Cervantes and the
Fictions of Identity.
Paul Guyer, Philosophy: Kant and eighteenth-century philosophy, history of aesthetics in the modern period. Numerous works on Kant, including three volumes on Kant's aesthetics and a translation of the Critique of the Power of Judgment, Kant's main work in aesthetics. Currently writing a history of modern aesthetics, from 1709 to 2003. Offers courses on eighteenth, nineteenth, and twentieth century aesthetics.
Renata
Holod, Art History:
Islamic art and culture. Architecture and Community: Building
in the Islamic World Today.
John Dixon
Hunt,
History and Theory of Landscape, School of Design: Applying reception
theory to built architectural and landscape architectural works,
reception of the Venetian urban landscape. The Afterlife of Gardens.
Ayako Kano, East Asian Languages and Civilizations: Gender, sexuality, feminist
studies, modern Japanese literature, performance studies. Acting
Like a Woman in Modern Japan: Theater, Gender, and Nationalism.
David Kazanjian, English: Critical theory, continental philosophy, 18th and 19th century American studies, Armenian diaspora studies. The Colonizing Trick: National Culture and Imperial Citizenship in Early America (2003), Loss: The Politics of Mourning (2003), The Aunt Lute Anthology of U.S. Women Writers, vol. 1 (co-editor, 2004).
Suvir Kaul,
English: Eighteenth-century
British literature, contemporary South Asian writing in English,
and literary and critical theory. The Partitions of Memory: The
Afterlife of the Division of India.
Victoria
Kirkham, Italian: Medieval and Renaissance Italian literature
and iconography; literature and the visual arts, numerology. The
Sign of Reason in Boccaccio's Fiction, Laura Battiferra and her Literary Circle: An Anthology.
Ania Loomba,
English: early modern
English literature and culture, postcolonial literature and history
(especially that of South Asia) and feminist theory. Shakespeare,
Race, and Colonialism.
Catriona
MacLeod, German: 18th and 19th century German literature and
culture, gender studies, inter-art studies. Embodying Ambiguity:
Androgyny and Aesthetics from Winckelmann to Keller.
Vicki Mahaffey,
English: 20th-century
English and Irish literature, Joyce, gender studies, Deleuze and
Guattari. Shattered Images: The Sub/Version of Desire in Multinational
Irish Literature.
E. Ann Matter,
Religious Studies:
Christian spirituality and mysticism, Christian biblical interpretation,
religion and literature. "The Church Fathers and the Glossa
ordinaria," The Reception of the Church Fathers in the
West, New Cambridge History of the Bible (co-editor), Alberto Alfieri's 'Ogdoas' (1421) (co-editor, translator).
Lydie Moudileno,
French: Francophone Caribbean literature, postcolonial studies,
West and Central African literatures, the African Novel of the 1990s,
Francophone African cinema.
Sheila Murnaghan,
Classical Studies:
Greek tragedy, Homeric poetry, gender studies. Disguise and
Recognition in the Odyssey.
Benjamin
Nathans, History:
Politics and culture in the Russian and Soviet empires, modern
Jewish history, history of human rights. Beyond the Pale: The Jewish Encounter with
Late Imperial Russia.
Anne
Norton, Political
Science: identity and history, colonialism and post-colonialism,
tradition and revolution. Republic of Signs: Liberal Theory
and American Popular Culture.
Kevin
M. F. Platt, Russian literature and Cultural history: Representation
of history, history and memory, poetics of historical discourse,
Russian poetry and poetics. History in a Grotesque Key: Russian
Literature and the Idea of Revolution.
Christine
Poggi, Art History:
20th century art and theory, collage, Picasso, performance art,
gender studies. In Defiance of Painting: Cubism, Futurism,
and the Invention of Collage.
Gerald Prince,
French: 20th century French literature, the modern novel, narratology. Narrative
as Theme, Guide du roman de langue française.
Jean-Michel
Rabaté, English:
20th century modernism, Joyce, psychoanalysis, critical theory.
Joyce Upon the Void: The Genesis of Doubt.
Michele Richman,
French: 20th century French literature, literature and anthropology.
Tracking the Sacred: The Sociological Imagination in France
from Durkheim to the Present (forthcoming, Stanford U Press).
Simon
Richter, German:
18th-century German literature, art, history of medicine, queer
theory and gender studies.
Ralph Rosen,
Classical Studies:
Greek literature, history of comedy, satire, and obscenity; ancient philosophy and medicine; contemporary
musical culture (jazz, hip hop). Free Speech in Classical Antiquity, Making Mockery: Poetics of Ancient Satire.
Peter
Stallybrass, English: History of the book, Early Modern British and Colonial American literature, cultural theory, material culture. Renaissance Clothing and the Materials of Memory (with Ann Roalind Jones), The Politics and Poetics of Transgression
(with Allon White).
Peter Steiner,
Slavic: Russian and Czech literature, semiotics, structuralism.
Russian Formalism: A Metapoetics.
Wendy
Steiner, English:
20th century American literature, theories of representation, narrativity
in visual art. Pictures of Romance: Form Against Context in
Painting and Literature.
David Stern, Near Eastern Languages and Civilizations: Rabbinic and medieval Hebrew literature,
history of interpretation and hermeneutics, religion and literature.
Parables in Midrash: The Intersection of Narrative and Exegesis
in Rabbinic Literature.
Peter
Struck, Classical
Studies.
Gary Tomlinson,
Music: Renaissance musical and cultural history, music historiography
and anthropology, African-American and New World music. Music
in Renaissance Magic: Toward a Historiography of Others.
Frank
Trommler, German:
interdisciplinary perspectives on modern German and Austrian literature
and art. America and the Germans: An Assessment of a Three-Hundred
Year History (ed.)
Greg
Urban, Anthropology:
linguistic and cultural anthropology, nation-state and ethnic enclaves
in Latin America, discourse-centered approaches to culture. Metaphysical
Community: The Interplay of the Senses and the Intellect.
Julia
Verkholantsev, Slavic
Languages and Literatures:
Slavic cultural history, early modern and medieval literary and
linguistic culture, textual and cultural transmission, cultural history
of the Grand Duchy of Lithuania and the Polish-Lithuanian Commonwealth.
David Wallace,
English:
English and Italian culture from 1100-1600; also, Flemish/Dutch,
French, German, and Spanish, premodern women, Chaucer, European
romance. Premodern Places: Calais to Surinam, Chaucer to Afra Behn, "Periodizing Women," JMEMS, 36.2.
Liliane
Weissberg, German
and Comparative Literature: 19th and 20th century German and American
literature, aesthetics, philosophy of language. Geistersprache:
Philosophischer und literarischer Diskurs im spaten achtzehnten
Jahrhundert.
Barbie Zelizer,
Communications: Journalism, cultural studies and popular culture,
collective memory, media criticism, journalism as a cultural practice,
journalists as interpretive communities, news images and crises:
assassinations, Holocaust, September 11th, war. Taking Journalism Seriously: News and the Academy (Sage, 2004), Reporting War: Journalism in Wartime, with Stuart Allan, (Routledge, 2004).
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