| |
Advising
Catriona MacLeod,
Undergraduate Chair 898-7334
746 Williams Hall
cmacleod@sas.upenn.edu
Simon Richter,
Chair 898-7332
743 Williams Hall
srichter@sas.upenn.edu
Kathryn Hellerstein,
Yiddish 898-7103
748 Williams Hall
khellers@mail.sas.upenn.edu
Anne Jenner,
Swedish 898-7107
740 Williams Hall
ajenner@sas.upenn.edu
Robert Naborn,
Dutch 898-7331
750 Williams Hall
naborn@sas.upenn.edu
Visit our homepage
for undergraduate program information, course descriptions, syllabi, events,
and extra-curricular activities: http://ccat.sas.upenn.edu/german
German
Programs
- Major in German:
Choose from a wide variety of courses in language, applied language,
culture, literature, and history. You can be confident that you will
leave our program fluent in the language and at ease in the cultures
and traditions of the German speaking countries
- Major in German Studies:
This versatile program offers you fluency in the language, culture,
and literature, in addition to enabling you to select five courses
related to your German interests in other School of Arts and Science
departments. An efficient way to double major and to prepare for graduate
school or an international career.
- Double Major in German
and Your Major of Choice: You are already in the Wharton School,
International Relations, Computer Science, History, or Political Science.
If you want to make yourself really competitive, then consider adding
German as a double major. This could be just the edge you need.
- Minor in German:
You have satisfied your language requirement, but elect to keep up
your German with some advanced language courses. To obtain a minor
only requires 6 credits beyond GRMN 104 and most of your courses satisfy
other college requirements.
- Certificate in German
Language Study: Students can receive a Certificate by completing
3 courses taught in German in addition to passing proficiency.
Students must receive a minimum of a B+ average in the three courses,
and may not take the courses on a pass/fail basis.
- Most of these options
can readily be combined with Penn’s study abroad programs in Berlin,
Frankfurt, and Munich. Do not forget these programs afford you Penn
credit for the courses that you take. You will satisfy courses in
your major, double major or minor as you become more fluent in the
Germanic language via total immersion in two of Europe’s most exciting
cities.
Language
Courses
| GRMN
101 |
Elementary
German I. Introduction to the basic elements of spoken
and written German, with a particular emphasis placed on the
acquisition of communication skills. Readings and discussion focus
on cultural differences. |
| 001
|
MTWRF
|
11-12
|
M.
Wetli |
| 002
|
MTWRF
|
12-1
|
V.
Byrd |
| 003
|
MTWRF
|
1-2
|
C.
McCandless |
| 680
|
MW
|
6:30-8:45
|
A.
Taylor |
| GRMN
102 |
Elementary
German II. A continuation of GRMN 101. The student’s expression
and comprehension are enhanced through the study of literature
and social themes. |
| 001
|
MTWRF
|
11-12
|
M.
Ryan |
| 002
|
MTWRF
|
12-1
|
J.
Moser |
| GRMN
103 |
Intermediate
German I. Modern German texts of moderate difficulty,
an integrated grammar view, targeted study of vocabulary, and
wide-ranging activities and projects to advance the student’s
command of the language with regard to reading, writing, and speaking
skills. |
| 001
|
MTRF
|
11-12
|
M.
Elliott-Peters |
| 002
|
MTRF
|
12-1
|
V.
Lutz |
| 003
|
MTRF
|
1-2
|
C.
Schnader |
| 680**
|
MW
|
6:30-8:45**
|
B.
Ozel |
| GRMN
104 |
Intermediate
German II. Literary and non-literary texts of moderate
difficulty. Continued practice in active communication.
This course is designed to further develop and refine integrative
skills of reading, writing, and speaking in German, as well as
to prepare students for the Proficiency Examination in German
and for advanced-level German courses. If the student is pursuing
German to fulfill his or her proficiency requirement, credit for
this course is not given until the proficiency exam is passed.
|
| 001
|
MTRF
|
11-12
|
L.
Sundberg |
| 002
|
MTRF
|
12-1
|
G.
Grozdanic |
| 003
|
MTRF
|
12-1
|
Staff
|
| GRMN
180 |
German
in Residence. This is a 1/2 credit course for students
living in the Modern Language House. |
| GRMN
212 |
Reading
Strategies. Prereq. 104 or equiv. This course seeks to
develop the student's reading ability in German; emphasis on reading
and comprehension of German expository prose, including readings
from history, sociology, contemporary affairs, science, and literature.
|
| 301
|
MWF 11-12 |
J.
Moser |
| GRMN
215 |
Conversation
and Composition. Prereq. 104 or equiv. Emphasizes conversational
and writing skills in German. Contemporary topics of interest
will be selected for discussions, debates, presentations, and
role-playing situations. WWW exercises. Active role in critiquing
one another's writing exercises. |
| 001
|
MWF
12-1 |
C.
Frei |
Business
German
| GRMN
219 |
German
Business World I. This course, the first of two classes
leading to the Zertifikat Deutsch für den Beruf, is designed
to introduce the student to the basic concepts of the German business
world: economic geography, the European Union, transportation,
tourism, elements of business correspondence, and forms of adequate
comportment and manners while in Germany. Significant emphasis
is placed on correct usage of appropriate business vocabulary
and German grammar. Prerequisites: proficiency exams as required
by the German Department at the University of Pennsylvania and
completion of at least one third-year course in the department
(i.e., German 211, 212, 215,216,221, or an approved equivalent).
Distribution I: Society, FLAC |
| 001 |
MWF
1-2 |
Staff
|
| GRMN
225 |
Business
German through Films & Documents. This course is functionally
designed to facilitate the acquisition of an extensive business
and everyday vocabulary. A series of films dealing with a variety
of business transactions as well as selected articles focusing
on the most recent economic and political developments in eastern
Germany provide the basis for an emphasis on practical applications.
This course seeks to reveal cultural and behavioral differences
between Germans and Americans, in addition to vocabulary building.
As a result, students should acquire a rich basis of factual and
cultural knowledge beneficial to anyone contemplating a visit
to or a work sojourn in Germany.
Prerequisites: proficiency exams as required by the German Department
at the University of Pennsylvania and completion of at least one
third-year course in the department (ie. German 211, 212, 215,
216, 221, or an approved equivalent). |
| 680 |
M
4:30-6:45 |
F.
Brévart |
Literature
and Culture
(Literature
and Culture courses are taught in German)
| GRMN
269 |
Introduction
to German Culture. In this course, we examine and explore
over a thousand years of cultural history of the German-speaking
lands with an eye toward clarifying the key cultural knowledge
shared by German speakers. From the Germanic tribes to the Holy
Roman Empire and into the twentieth century, we examine what makes
the German nations -- and peoples -- what they are today. We will
pay attention both to mainstream tendencies as well as oppositional
political and cultural movements. A special emphasis will be placed
on cultural achievements such as literature, music, and architecture
as well as on a basic understanding of the politics, economics
and cultural formations of Switzerland, Austria and Germany in
the 20th and 21st centuries. Speaking knowledge of German is required,
but the course will include exercises for improving language skills
and learning to discuss difficult cultural concepts in the target
language, German.
FLAC |
| 001
|
MWF
10-11 |
D.
Grodanic |
| GRMN
373 |
Dancing
on the Volcano: Modern German Writers Confront Evil. This
course will discuss some of the most fascinating texts of German
literature that reflect Germany's precarious history in the 20th
century with two world wars and nazi totalitarianism. Central
is the individual's reaction to a situation of danger or threat
and the ability to preserve dignity and identity. Students will
be enabled to improve their reading and speaking abilities in
German on an advanced level. Readings will include shorter pieces
and plays by Kafka, Brecht, Böll, Stefan Zweig, Wolf, Weiss,
Jurek Becker and others. |
| 001
|
TR
1:30-3 |
F.
Trommler |
| GRMN
378 |
Foreign
in Germany. Foreign minority groups are integral elements
of German society. These groups are comprised of post World War
II guestworkers, asylum seekers, German resettlers and immigrants
from Eastern Europe. As these groups have increased in number,
Germany has struggled with racial, ethnic and religious diversity.
This course will provide an overview of the history of foreigners
in Germany and their political, social and economic significance.
Content-rich reading materials will show Germany as a country
that is rapidly developing into a multinational, multiracial and
multicultural society. Focusing on the various attitudes of Germans
held towards foreigners and the foreigners' attitudes towards
life in Germany, the text selection will provide the basis for
in-depth study of the subject, including the development of German
policy regarding foreigners. Accompanying activities will facilitate
communication and grammatical accuracy through small group discussions,
role playing, conversations and debate.
FLAC |
| 001
|
MWF
11-12 |
S.
Shields |
| GRMN
531 |
German
Literature to the 18th Century.This course affords a historical
overview of authors and their works, genres, and epochs. Special
emphasis is placed on social, historical, cultural and religious
backgrounds. Readings constitute selected works or passages, or
both. |
| 301
|
MWF
10-11 |
K.
Otto |
Courses
Taught in English
| GRMN
244 |
Metropolis:
Culture of the City. An exploration of modern discourses
on and of the city. Topics include: the city as site of avant-garde
experimentation; technology and culture; the city as embodiment
of social order and disorder; traffic and speed; ways of seeing
the city; the crowd; city figures such as the detective, the criminal,
the flaneur, the dandy; film as the new medium of the city. Special
emphasis on Berlin. Readings by, among others, Dickens, Poe, Baudelaire,
Rilke, Döblin, Marx, Engels, Benjamin, Kracauer. Films include
Fritz Lang's Metropolis and Tom Tykwer's Run Lola Run.
General Requirement I: Society
WATU credit optional |
| 401
|
TR
12-1:30 |
C.
MacLeod |
| GRMN
245 |
Literature
and Culture of Central Europe. This course is an introduction
to the principal issues, ideas, and genres in the culture of Central
Europe from about 1900 to the present. Through the study of literature,
cinema, and the East European artistic avant-garde, it explores
a unique history that, in this century, extends from the Habsburg
empire, through two world wars, to communism and beyond. Classroom
lectures will situate individual works in a cultural and historical
context, and our discussions will be directed toward regional
specificities, the broader engagement of intellectuals with political
power, and the literary stylization of Central European experience.
Assignments for the course reflect the diversity of local traditions
and histories, and encourage students to bring their own interests
to the classroom. They also afford structure to students less
familiar with specific national literatures. Readings are in English
and include representative works from Albanian, Austrian and Croatian,
Czech, Polish, and Hungarian fiction. |
| 601
|
T
6:30-9:10 |
M.
Burri |
| GRMN
263 |
Jewish
American Literature This course introduces novels, short
fiction, and poetry written in America by Jews. Issues of Jewish
identity and ethnicity in an American context inform our discussions.
We will consider how literary form and language develop as Jewish
writers "immigrated" from Yiddish, Hebrew, and other languages to
American English. Using the new Jewish American Literature: A
Norton Anthology and other texts, we will read authors who wrote
between 1800 and 2000. These writers include: Isaac Mayer Wise,
Emma Lazarus, Isaac Bashevis Singer, Celia Dropkin, Abraham Cahan,
Anzia Yezierska, Saul Bellow, Philip Roth, Cynthia Ozick, Allegra
Goodman.
Distribution III: Arts & Letters |
| 401
|
TR
10:30-12 |
K.
Hellerstein |
Graduate
Seminars
| GRMN
507 |
- Elementary
Middle-High German. Designed to familiarize the student
with the principal elements of Middle High German grammar and
to develop skills in reading and translating a major work of
the twelfth century. Limited text interpretation.
|
| 301
|
M
2-4 |
F.
Brevart |
| GRMN
516 |
- Teaching
Methods. This course examines major foreign language
methodologies, introduces resources available to foreign language
teachers, and addresses current issues and concerns of foreign
language teaching and learning such as second language acquisition
theory and application of technology.
|
| 301
|
TR
9-10:30 |
C.
Frei |
| GRMN
531 |
- German Literature
to the 18th Century. This course affords a historical
overview of authors and their works, genres, and epochs. Special
emphasis is placed on social, historical, cultural and religious
backgrounds. Readings constitute selected works or passages,
or both.
|
| 301
|
MWF
10-11 |
K.
Otto |
| GRMN
552 |
Kant
II. A study of Kant's moral philosophy, political philosophy,
and aesthetics, focusing on his Groundwork for the Metaphysics
of Morals, Critique of Practical Reason, Metaphysics
of Morals, and Critique of Judgement.
Distribution I: Society |
| 401
|
TR
1:30-3 |
P.
Guyer |
| GRMN
632 |
Romanticism.
An in-depth investigation of major writers and theorists of
German Romanticism. The seminar will consider, among other topics:
mythology and history; Romantic constructions of gender; genius,
originality, and the creative imagination; allegory and symbol;
poetic forms such as Märchen, fragment, and novel. Works
by Novalis, Friedrich Schlegel, Dorothea Schlegel, Bettina von
Arnim, Ludwig Tieck, Clemens Brentano, E.T.A. Hoffmann, Joseph
von Eichendorff, Heinrich Heine. |
| 301
|
R
3-5 |
C.
MacLeod |
| GRMN
645 |
Vienna
1900. At the turn of the twentieth century, Vienna rivaled
Paris as cultural capital of Europe. Literature, music, architecture,
and the visual arts flourished, and Vienna was also the site of
the discussion of new philosophical concepts and the invention
of psychoanalysis. The seminar will try to sketch a cultural history
of Vienna at this time. Readings will include texts by Sigmund
Freud, Otto Weininger, Ludwig Wittgenstein, Arthur Schnitzler,
Stefan Zweig, and many others; we will also consider the development
in the visual arts, music, and architecture.
Lectures, discussions, and readings in German. |
| 301
|
W
3-5 |
L.
Weissberg |
| GRMN
672 |
Reading
Modernity. Modern writers and artists have included the
audience in the process of aesthetic production more intensively
than earlier generations. This course attempts a rethinking of
modernity since the late 19th century as a 'production' through
a re-evaluation of theories of reading and reception. It concentrates
on works of literature (Döblin, Kafka, Brecht) but touches
also on the visual arts (Duchamps and Dada) and the modernity
of everyday consumer products. Discussions include concepts of
montage, film optics, reader-response, performance. Theoretical
readings include Simmel, Benjamin, Barthes, Kracauer, Fish, Kittler,
Bürger, Bakhtin.
Lectures, discussions, and readings in English. |
| 401
|
T
3-5 |
F.
Trommler |
CGS
Courses
| GRMN
101 |
Elementary
German I. Introduction to the basic elements of spoken
and written German, with a particular emphasis placed on the
acquisition of communication skills. Readings and discussion focus
on cultural differences. |
| 680 |
MW
6:30-8:45 |
A.
Taylor |
| GRMN
103 |
Intermediate
German I. Modern German texts of moderate difficulty,
an integrated grammar view, targeted study of vocabulary, and
wide-ranging activities and projects to advance the student’s
command of the language with regard to reading, writing, and speaking
skills. |
| 680 |
MW
6:30-8:45 |
B.
Ozel |
| GRMN
225 |
Business
German through Films & Documents. This course is functionally
designed to facilitate the acquisition of an extensive business
and everyday vocabulary. A series of films dealing with a variety
of business transactions as well as selected articles focusing
on the most recent economic and political developments in eastern
Germany provide the basis for an emphasis on practical applications.
This course seeks to reveal cultural and behavioral differences
between Germans and Americans, in addition to vocabulary building.
As a result, students should acquire a rich basis of factual and
cultural knowledge beneficial to anyone contemplating a visit
to or a work sojourn in Germany.
Prerequisites: proficiency exams as required by the German Department
at the University of Pennsylvania and completion of at least one
third-year course in the department (ie. German 211, 212, 215,
216, 221, or an approved equivalent). |
| 680 |
M
4:30-6:45 |
F.
Brévart |
| GRMN
245 |
Literature
and Culture of Central Europe. This course is an introduction
to the principal issues, ideas, and genres in the culture of Central
Europe from about 1900 to the present. Through the study of literature,
cinema, and the East European artistic avant-garde, it explores
a unique history that, in this century, extends from the Habsburg
empire, through two world wars, to communism and beyond. Classroom
lectures will situate individual works in a cultural and historical
context, and our discussions will be directed toward regional
specificities, the broader engagement of intellectuals with political
power, and the literary stylization of Central European experience.
Assignments for the course reflect the diversity of local traditions
and histories, and encourage students to bring their own interests
to the classroom. They also afford structure to students less
familiar with specific national literatures. Readings are in English
and include representative works from Albanian, Austrian and Croatian,
Czech, Polish, and Hungarian fiction. |
| 601
|
T
6:30-9:10 |
M.
Burri |
Yiddish
Courses
| GRMN
401 |
Beginning
Yiddish I. The goal of this course is to help beginning
students develop skills in Yiddish conversation, reading and writing.
Yiddish is the medium of a millennium of Jewish life. We will
frequently have reason to refer to the history and culture of
Ashkenazie Jewry in studying the language. |
| 401 |
TR
10:30-12 |
A.
Botwinik |
| GRMN
403 |
Intermediate
Yiddish I. The course will continue with the first year's
survey of Yiddish grammar by placing additional emphasis on reading
Yiddish texts. The course will also develop conversational skills
in Yiddish. |
| 401 |
TR
1:30-3 |
K. Hellerstein |
Dutch
Courses/Studies
| DTCH
101 |
Elementary
Dutch I. A first semester Dutch language course covering
the core Dutch grammar and vocabulary with the goal of providing
the corner stone for developing overall linguistic proficiency
in Dutch. |
| 401
|
MWF
12-1 |
R.
Naborn |
| DTCH
103 |
Intermediate
Dutch I. A third semester Dutch language course. The emphasis
lies on vocabulary expansion through the use of audio-taped materials
and readings. Grammar is expanded beyond the basics and focuses
on compound sentences, features of text coherence and idiomatic
language usage. |
| 401
|
MWF
11-12 |
R. Naborn |
| DTCH
501 |
Elementary
Dutch I. A first semester Dutch language course covering
the core Dutch grammar and vocabulary with the goal of providing
the corner stone for developing overall linguistic proficiency
in Dutch. |
| 401
|
MWF
12-1 |
R. Naborn |
| DTCH
503 |
Intermediate
Dutch I. A third semester Dutch language course. The emphasis
lies on vocabulary expansion through the use of audio-taped materials
and readings. Grammar is expanded beyond the basics and focuses
on compound sentences, features of text coherence and idiomatic
language usage. |
| 401
|
MWF
11-12 |
R. Naborn |
| DTCH
505 |
Dutch
for Reading Knowledge. This course is designed for undergraduates
and graduate students who want to be able to read Dutch. Of particular
interest to historians and art historians, people interested in
international business and law, religious studies, social policy,
and literature. Emphasis on reading skills; structures of grammar
and pronounciation are taught as needed. Text selection can be
tailored to individual student needs. Students need not necessarily
possess any knowledge of Dutch |
| 680
|
M
6:30-9:10 |
R.
Naborn |
| DTCH
399 |
- Independent
study.
|
| 000
|
TBA
|
R.
Naborn |
| DTCH
999 |
- Independent
study
|
| 000
|
TBA
|
Staff |
Swedish
Courses
| SCND
101 |
Elementary
Swedish I. Basic language course stressing grammatical
structures and vocabulary, pronunciation, simple conversation
and reading of elementary texts. Credit for this course will only
be given upon successful completion of SCND 102. |
| 401
|
MWF
11-12 |
Staff
|
| SCND
399 |
Independent
Study |
| 000
|
TBA
|
Staff
|
| SCND
501 |
Elementary
Swedish I. Basic language course stressing grammatical
structures and vocabulary, pronunciation, simple conversation
and reading of elementary texts. Credit for this course will only
be given upon successful completion of SCND 502. |
| 401
|
MWF
11-12 |
Staff
|
| SCND
999 |
Independent
Study |
| 000
|
TBA
|
Staff
|
Freshman
Seminars
| DTCH
008 |
Amsterdam:
Venice of the North, or a Modern Sodom and Gomorrah?.
This seminar will take you on a virtual canal boat trip through
Amsterdam, guided by a Dutch native. Stops along the way include:
a peek into the Cum Laude Coffee shop near the Red Light District,
looking into how Dutch society tries to cope with drugs and prostitution;
the Rijksmuseum and the Van Gogh Museum, witnesses to Holland's
art history; the Nederlandsche Bank, the Dutch central bank, also
providing insight into European central banking; and the Universiteit
van Amsterdam, evidencing the differences between the American
and the Dutch educational systems. In-class discussions will include
Dutch policies on finance, education, art, health and crime. Through
slides, film, texts and the internet you will gather information
to engage in these discussions, which will culminate in an essay
answering the question in the course title.
Distribution I: Society |
| 301
|
MWF
10-11 |
R.
Naborn |
| GRMN
008 |
Superstition
& Erudition: Daily Life in the Middle Ages. Individuals
in medieval times lived basically the same way we do today: they
ate, drank, needed shelter, worked, had sex, became ill, planned
religious holidays, talked about the weather, were intrigued by
the secrets of nature in their environment, traveled, and were eager
to learn about people and customs in distant places. The difference,
of course, lies in the manner in which they carried out these actions
and fulfilled their goals. This course focuses on several aspects
of daily life in the Middle Ages (12th - 16th centuries). We will
gain insights into medieval chronology and astrology, around which
a multitude of quotidian happenings were centered (farming, slaughtering
of animals, personal hygiene, marrying, escaping from jail, steps
taken to conceive a male child, appropriate days to let blood, etc.).
We will look at medieval cookbooks and become instantly disillusioned
with today's so-called medieval banquets. We will discuss daily
life in and around the university, and investigate the curiosities
and hazards of traveling by land or sea. Finally, the course will
explore the precarious state of medieval medicine and pharmacy,
the specific diseases of men and women and their frequently barbaric
treatments, the use of so-called wonder drugs, exotic plants and
animals by professional physicians and medical charlatan alike,
and early forms of marketing.
Distribution II: History and Tradition |
| 301
|
MWF
11-12 |
F.
Brevart |
| GRMN
010 |
My
Angel Made Me Do It. Angels, angels, angels -- they are
everywhere these days. You've seen them on TV (Touched by an
Angel) and in films (e.g. Dogma). What are they really?
Do they exist? Who are they? Why do some people think they have
one? Good angels? Bad angels? We will explore angels from artistic,
literary, theological and cultural perspectives. We will read
and discuss, in English, some works of Rilke, Goethe, Milton,
Fuentes, Marlowe, Benjamin, France and others; we'll view and
discuss Wings of Desire and other films. We will consider
the Jewish, the Christian and the Moslem perspectives and views.
Distribution III: Arts & Letters |
| 301
|
MWF
11-12 |
K.
Otto, Jr. |
| GRMN
011 |
Desert Islands: Shipwrecks, Pirates, and Exotic Places.
The deserted island has become a popular topic for literature,
painting, tv shows, and cartoons. But what is so fascinating about
these far-away places where one could imagine a new life, and
different civilizations? This seminar will explore this question
by exploring philosophical and literary texts, and by discussing
examples from the visual arts and recent films and television
shows. Readings will include texts by Sophocles, Shakespeare,
Defoe, Campe, Schnabel, Rousseau, Poe, Tournier, Cortazar, and
others.
Distribution III: Arts & Letters |
| 301
|
TR
10:30-12 |
L.
Weissberg |
Recommended
Courses for German Studies Majors
| HIST
430 |
The
Rise and Fall of the Third Reich.
The meteoric rise of Hitler's NSDAP in Germany, the nature of
Nazi rule, and the final collapse of the Third Reich. The first
half of the semester analyzes the appeal of the NSDAP- who joined
the party, who voted for it, and why. Nazi mobilization tactics,
campaign strategy, and grass-roots techniques, the content of
the party's social appeals. The second half of the course concentrates
on the Nazis in power, their use of terror and propaganda, their
ideological objective, everyday life in the Third Reich, the possibilities
of resistance to the regime. Special attention will be devoted
to Nazi Jewish policy and the step that led to the "Final Solution"
and the Holocaust. |
| 001
|
Lecture
MW 1-2**
**Registration in a
recitation section is also required. |
T.
Childers |
| PHIL
267 |
Kant
and the 19th Century.
After an orientation to Kant's philosophy, we will examine Hegel,
Feuerbach, Marx, and Nietzsche.
Distribution II: History and Tradition |
| 301
|
MWF
1-2 |
C.
Bowman |
| MUSC
040 |
History
of the Symphony. In this course, we shall study, in close
detail, representative symphonies by such composers as Haydn,
Mozart, Beethoven, Schubert, Berlioz, Schumann, Brahms, Tchaikowsky,
and Mahler. Historical developments will be considered, along
with the effects upon symphonic literature of such major sociological
changes as the emergence of the public concert hall. But the emphasis
will be on the music itself--particularly on the ways we can sharpen
our abilities to engage and comprehend the composers' musical
rhetoric. An attempt will be made to correlate the repertory studied
with works scheduled for performance by the Philadelphia Orchestra,
for which discount or complimentary tickets are generally available.
No technical skills in music are required as a prerequisite for
this course.
Distribution III: Arts & Letters |
| 301
|
TR
3-4:30 |
E.
Narmour |
| RELS
239 |
Music
in Christianity: Johann Sebastian Bach. This seminar explores
the role of music in the ritual, theology, and symbolism of historical
Christianity. This semester, the focus will be on one of the greatest
(and certainly one of the most prolific) of Christian musicians,
Johann Sebastian Bach (1685-1750). In part, we will conduct a survey
of Bach's church music, especially that of the Leipzig period (1723-1750),
which includes the Passions according to Saint Matthew and Saint
John, and the mass in B minor. Other subjects of the seminar will
include the relationship of Bach to Lutheran to Pietism (and to
medieval spiritual traditions), biblical interpretation, allegory,
and musical symbolism in Bach's works, and Bach's place in the development
of Protestant Christianity. |
| 301 |
M
2-5 |
A.
Matter |
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