| GRMN 101 |
Elementary German I. Introduction to the basic elements of spoken and written German, with a particular emphasis placed on the acquisition of communication skills. Readings and discussion focus on cultural differences. |
|
| 001 | MTWRF 11-12 | Staff |
| 002 | MTWRF 12-1 | Staff |
| 003 | MTWRF 1-2 | Staff |
| 680 |
MW 6:30-8:45 |
Staff |
| GRMN 102 |
Elementary German II. A continuation of GRMN 101. The student’s expression and comprehension are enhanced through the study of literature and social themes. |
|
| 001 |
MTWRF 11-12 |
Staff |
| 002 |
MTWRF 12-1 |
Staff |
| GRMN 103 |
Intermediate German I. Modern German texts of moderate difficulty, an integrated grammar view, targeted study of vocabulary, and wide-ranging activities and projects to advance the student’s command of the language with regard to reading, writing, and speaking skills. |
|
| 001 |
MTRF 11-12 |
Staff |
| 002 |
MTRF 12-1 |
Staff |
| 003 |
MTRF 1-2 |
Staff |
| 680** |
MW 6:30-8:45 |
Staff |
| GRMN 104 |
Intermediate German II. Literary and non-literary texts of moderate difficulty. Continued practice in active communication. This course is designed to further develop and refine integrative skills of reading, writing, and speaking in German, as well as to prepare students for the Proficiency Examination in German and for advanced-level German courses. |
|
| 001 |
MTRF 11-12 |
Staff |
| 002 |
MTRF 12-1 |
Staff |
| GRMN 106 |
Accelerated Elementary German. An intensive two credit course in which two semesters of elementary German are completed in one. See descriptions of GRMN 101 and GRMN 102. |
|
| 001 |
MWF 10-11 TR 10:30-12 |
Staff |
| GRMN 108 |
German in Residence. This is a 1/2 credit course for students living in the Modern Language House. |
|
| GRMN 212 |
Reading Strategies. Prereq. 104 or equiv. This course seeks to develop the student's reading ability in German; emphasis on reading and comprehension of German expository prose, including readings from history, sociology, contemporary affairs, science, and literature. |
|
| 301 |
MWF 10-11 |
Staff |
| GRMN 215 | Conversation and Composition. Prereq. 104 or equiv. Emphasizes conversational and writing skills in German. Contemporary topics of interest will be selected for discussions, debates, presentations, and role-playing situations. WWW exercises. Active role in critiquing one another's writing exercises. | |
| 001 | MWF 12-1 | Staff |
| 002 | MWF 12-1 | Staff |
Business German
| GRMN 219 |
German
Business World I. This course, the first of two classes
leading to the Zertifikat Deutsch für den Beruf, is designed
to introduce the student to the basic concepts of the German business
world: economic geography, the European Union, transportation,
tourism, elements of business correspondence, and forms of adequate
comportment and manners while in Germany. Significant emphasis
is placed on correct usage of appropriate business vocabulary
and German grammar. Prerequisites: proficiency exams as required
by the German Department at the University of Pennsylvania and
completion of at least one third-year course in the department
(i.e., German 211, 212, 215,216,221, or an approved equivalent). |
|
| 001 |
MWF 1-2 |
J. Kurland |
| GRMN 225 |
Business
German through Films & Documents. This course is functionally
designed to facilitate the acquisition of an extensive business
and everyday vocabulary. A series of films dealing with a variety
of business transactions as well as selected articles focusing
on the most recent economic and political developments in eastern
Germany provide the basis for an emphasis on practical applications.
This course seeks to reveal cultural and behavioral differences
between Germans and Americans, in addition to vocabulary building.
As a result, students should acquire a rich basis of factual and
cultural knowledge beneficial to anyone contemplating a visit
to or a work sojourn in Germany. |
|
| 680 |
M 4:30-6:45 |
F. Brévart |
| GRMN 229 | International Business Practices. This is course is designed to broaden perspectives on cross-cultural issues related to international business and international relations. In addition, the course will enhance analytical decision-making skills in resolving cross-cultural issues. The course will focus on global issues such as leadership, communication, negotiations and strategic alliances, cultural impacts on international business, effective performance in a global marketplace, and doing business with various nationalities. | |
| 001 | MW 3-4:30 | J. Kurland |
| GRMN 269 |
Introduction
to German Culture. In this course, we examine and explore
the culture of German-speaking countries from the Middle Ages
to the present. We will discuss what has given the German-speaking
peoples in their changing boundaries their special place on the
map of European politics, arts, cultures, and life styles. We
will pay attention both to mainstream tendencies and oppositional
movements. Special emphasis will be on the last two hundred years
of philosophy, music, literature, and art, from Kant, Goethe,
and Beethoven to the creative forces of modernism in the 20th
century. The contributions to the ascent of science, technology,
modern design and architecture (Bauhaus) will receive due attention.
As most of the reading and discussion will be in German, the course
will help build both vocabulary and fluency in German. |
||||
| 001 |
TR 12-1:30 |
F. Trommler |
|||
| GRMN 361 |
Dissonance and Discontent. Nietzsche, the death of God, Lulu's seduction, alienation, repression, expressionism, fin de siecle decadence, Freud's Vienna, Kafka's Prague, the Weimar Republic, Hitler as a Chicago gangster, Brecht's epic theater, Tucholsky's laughter, Marlene Dietrich, and the femme fatale phiosophy of Lou Andreas Salome... The era 1870-1945 represents a crucial period in the history of German culture and German literature provides an important sensual and analytical forum in which one can explore this decisive moment. Drawing on the writings of Nietzsche, Wedekind, Schnitzler, Freud, Salome, Mann, Kafka, Hesse, Tucholsky, Toller, and Brecht as well as films of the Weimar Republic, GRMN 361 explores the dissonance and discontent which arises in the 19th and early 20th century as a reaction to the expanding modern world. Through close readings, critical dilogues, and intensive writing practice, the course seeks to introduce students to not only an important phase of German literature and culture, but also to an engagement with the modern world which still resonates in our contemporary, postmodern time. All readings, discussion, and writing are in German. |
||||
| 001 |
TR 1:30-3 |
N. Roessler |
|||
| GRMN 377 |
Germany and the European Union. As of January 1999, a single monetary system unites Germany, a core nation, with 10 other European states, thus making their union stronger than ever before. This course provicdes an overview of the political and economic developments as they relate to the integration of postwar Europe, focusing on Germany's role in these developments. Studying content-rich reading materials, the course explores historical-political, social, economic, and cultural issues that are imperative to Germany's success in these developments as well as the European community. Accompanying exercises will help students improve the level of complexity of their language skills. |
||||
| 001 |
MWF 11-12 |
S. Shields |
|||
| GRMN 531 |
German Literature to the 18th Century.This course affords a historical overview of authors and their works, genres, and epochs. Special emphasis is placed on social, historical, cultural and religious backgrounds. Readings constitute selected works or passages, or both. |
||||
| 301 |
WF 10-11 |
H. Daemmrich |
|||
| GRMN 244 |
Metropolis:
Culture of the City. An exploration of modern discourses
on and of the city. Topics include: the city as site of avant-garde
experimentation; technology and culture; the city as embodiment
of social order and disorder; traffic and speed; ways of seeing
the city; the crowd; city figures such as the detective, the criminal,
the flaneur, the dandy; film as the new medium of the city. Special
emphasis on Berlin. Readings by, among others, Dickens, Poe, Baudelaire,
Rilke, Döblin, Marx, Engels, Benjamin, Kracauer. Films include
Fritz Lang's Metropolis and Tom Tykwer's Run Lola Run.
General Requirement I: Society |
|
| 401 |
TR 10:30-12 |
C. MacLeod |
| GRMN 263 |
Jewish
American Literature This course introduces novels, short
fiction, and poetry written in America by Jews. Issues of Jewish
identity and ethnicity in an American context inform our discussions.
We will consider how literary form and language develop as Jewish
writers "immigrated" from Yiddish, Hebrew, and other languages
to American English. Using the new Jewish American Literature:
A Norton Anthology and other texts, we will read authors who
wrote between 1800 and 2000. These writers include: Isaac Mayer
Wise, Emma Lazarus, Isaac Bashevis Singer, Celia Dropkin, Abraham
Cahan, Anzia Yezierska, Saul Bellow, Philip Roth, Cynthia Ozick,
Allegra Goodman. |
|
| 401 |
TR 10:30-12 |
K. Hellerstein |
| GRMN 265 |
Yiddish Literature and Culture in Eastern Europe. This course presents the major trends in Yiddish literature and culture in Eastern Europe from the mid-19th century through World War II. Divided into four sections-"The Shtetl," "Religious vs. Secular Jews," "Language and Culture," and "Confronting Destruction"-this course will examine how Jews expressed the central aspects of their experience in Eastern Europe through history, literature (fiction, poetry, drama, memoir), film, and song. | |
| 401 |
TR 3-4:30 |
K. Hellerstein |
| GRMN 550 | The German Connection: Hollywood and Berlin. Starting with UFA in Berlin when German film production rivaled Hollywood in the silent era and films such as Dr. Caligari established an enduring expressionist idiom, this course will pursue the varied migrations of German cinematic style to Hollywood during the 1930s and 40s. Films by such directors as Fritz Lang, Billy Wilder, Edgar G. Ulmer, Robert Siodmak, Wilhelm Dieterle and Fred Zinnemann both before and after their American migration. Special emphasis on film noir. We'll also consider post-war German responses to Hollywood and the Berlin-Hollywood connection by directors such as Faßbinder and Wenders. All readings and lectures in English. | |
| 401 | M 2-5 | S. Richter |
| GRMN 511 |
|
|||
| 301 |
M 9-11 |
F. Brevart |
||
| GRMN 516 |
|
|||
| 301 |
TR 9-10:30 |
C. Frei |
||
| GRMN 531 |
|
|||
| 301 |
WF 10-11 |
H. Daemmrich |
||
| GRMN 550 | The German Connection: Hollywood and Berlin. Starting with UFA in Berlin when German film production rivaled Hollywood in the silent era and films such as Dr. Caligari established an enduring expressionist idiom, this course will pursue the varied migrations of German cinematic style to Hollywood during the 1930s and 40s. Films by such directors as Fritz Lang, Billy Wilder, Edgar G. Ulmer, Robert Siodmak, Wilhelm Dieterle and Fred Zinnemann both before and after their American migration. Special emphasis on film noir. We'll also consider post-war German responses to Hollywood and the Berlin-Hollywood connection by directors such as Faßbinder and Wenders. All readings and lectures in English. | |||
| 401 | M 2-5 | S. Richter | ||
| GRMN 551 |
Kant's First Critique. A study of Kant's epistemology, criticism of metaphysics, and theory of science. A close reading of the Critique of Pure Reason and associated texts. |
|||
| 401 |
TR 1:30-3 |
P. Guyer |
||
| GRMN 565 | Yiddish Literature and Culture in Eastern Europe. This course presents the major trends in Yiddish literature and culture in Eastern Europe from the mid-19th century through World War II. Divided into four sections-"The Shtetl," "Religious vs. Secular Jews," "Language and Culture," and "Confronting Destruction"-this course will examine how Jews expressed the central aspects of their experience in Eastern Europe through history, literature (fiction, poetry, drama, memoir), film, and song. | |||
| 401 | TR 3-4:30 | K. Hellerstein | ||
| GRMN 641 |
Kleist to Wagner: Drama of the 19th Century. Drama and theater are central to the understanding of modern German culture. Reflecting on the dramatic heritage of classical authors (Goethe, Schiller, Lessing), this course will analyze and discuss the modern elements in nineteenth-century authors, especially Kleist, Büchner, and Grabbe. The overview of the dramatic techniques will include theoretical contributions (Hegel, Freitag, Szondi) and move from Grillparzer and Hebbel to Richard Wagner's concept of the musical drama, seen through Nietzsche's Gebürt der Tragödie aus dem Geiste der Musik. Readings will also include the Viennese Volkstheater (Nestroy) and a naturalist play by Gerhard Hauptmann. |
|||
| 301 |
T 2-4 |
F. Trommler |
||
| GRMN 678 |
Realism: Literature and Theory. What is "realism"? What does it mean to depict the world as a "realist" writer or artist? This seminar will consider these questions and concentrate on German literature and art of the second half of the nineteenth century. It will focus on writers such as Stifter, Storm, Raabe, and Fontane; visual artists will include Menzel, and contemporary proponents of historical painting. |
|||
| 301 |
W 3-5 |
L. Weissberg |
||
| GRMN 101 |
Elementary German I. Introduction to the basic elements of spoken and written German, with a particular emphasis placed on the acquisition of communication skills. Readings and discussion focus on cultural differences. |
|
| 680 |
MW 6:30-8:45 |
A. Taylor |
| GRMN 103 |
Intermediate German I. Modern German texts of moderate difficulty, an integrated grammar view, targeted study of vocabulary, and wide-ranging activities and projects to advance the student’s command of the language with regard to reading, writing, and speaking skills. |
|
| 680 |
MW 6:30-8:45 |
B. Ozel |
| GRMN 225 |
Business
German through Films & Documents. This course is functionally
designed to facilitate the acquisition of an extensive business
and everyday vocabulary. A series of films dealing with a variety
of business transactions as well as selected articles focusing
on the most recent economic and political developments in eastern
Germany provide the basis for an emphasis on practical applications.
This course seeks to reveal cultural and behavioral differences
between Germans and Americans, in addition to vocabulary building.
As a result, students should acquire a rich basis of factual and
cultural knowledge beneficial to anyone contemplating a visit
to or a work sojourn in Germany. |
|
| 680 |
M 4:30-6:45 |
F. Brévart |
| GRMN 401 |
Beginning Yiddish I. The goal of this course is to help beginning students develop skills in Yiddish conversation, reading and writing. Yiddish is the medium of a millennium of Jewish life. We will frequently have reason to refer to the history and culture of Ashkenazie Jewry in studying the language. |
|
| 401 |
TR 10:30-12 |
A. Botwinik |
| GRMN 265/565 |
Yiddish Literature and Culture in Eastern Europe. This course presents the major trends in Yiddish literature and culture in Eastern Europe from the mid-19th century through World War II. Divided into four sections-"The Shtetl," "Religious vs. Secular Jews," "Language and Culture," and "Confronting Destruction"-this course will examine how Jews expressed the central aspects of their experience in Eastern Europe through history, literature (fiction, poetry, drama, memoir), film, and song. All readings and lectures in English. |
|
| 401 |
TR 3-4:30 |
K. Hellerstein |
| DTCH 101 |
Elementary Dutch I. A first semester Dutch language course covering the core Dutch grammar and vocabulary with the goal of providing the corner stone for developing overall linguistic proficiency in Dutch. |
|||||
| 401 |
MWF 12-1 |
R. Naborn |
||||
| DTCH 103 |
Intermediate Dutch I. A third semester Dutch language course. The emphasis lies on vocabulary expansion through the use of audio-taped materials and readings. Grammar is expanded beyond the basics and focuses on compound sentences, features of text coherence and idiomatic language usage. |
|||||
| 401 |
MWF 11-12 |
R. Naborn |
||||
| DTCH 501 |
Elementary Dutch I. A first semester Dutch language course covering the core Dutch grammar and vocabulary with the goal of providing the corner stone for developing overall linguistic proficiency in Dutch. |
|||||
| 401 |
MWF 12-1 |
R. Naborn |
||||
| DTCH 503 |
Intermediate Dutch I. A third semester Dutch language course. The emphasis lies on vocabulary expansion through the use of audio-taped materials and readings. Grammar is expanded beyond the basics and focuses on compound sentences, features of text coherence and idiomatic language usage. |
|||||
| 401 |
MWF 11-12 |
R. Naborn |
||||
| DTCH 507 |
Dutch for Reading Knowledge. This course is designed for undergraduates and graduate students who want to be able to read Dutch. Of particular interest to historians and art historians, people interested in international business and law, religious studies, social policy, and literature. Emphasis on reading skills; structures of grammar and pronounciation are taught as needed. Text selection can be tailored to individual student needs. Students need not necessarily possess any knowledge of Dutch |
|||||
| 601 |
M 6-8:40 |
R. Naborn |
||||
| DTCH 399 |
|
|||||
| 000 |
TBA |
R. Naborn |
||||
| DTCH 999 |
|
|||||
| 000 |
TBA |
Staff |
||||
| SCND 103 |
Intermediate Swedish I. |
|
| 401 |
MWF 11-12 |
KE Williams |
| SCND 399 |
Independent Study |
|
| 000 |
TBA |
Staff |
| SCND 503 |
Intermediate Swedish I. |
|
| 401 |
MWF 11-12 |
KE Williams |
| SCND 999 |
Independent Study |
|
| 000 |
TBA |
Staff |
| DTCH 008 |
Amsterdam:
Venice of the North, or a Modern Sodom and Gomorrah?.
|
|
| 301 |
MWF 10-11 |
R. Naborn
|
| GRMN 002 | Lords
of the Ring. "One Ring to rule them all; One Ring to find
them; One Ring to bring them all and in the darkness bind them;
In the Land of Mordor where the Shadows lie." (J.R.R. Tolkien)
So begins your journey into legends and traditional lore. You
will read stories of unrequited love, betrayal, magical powers,
and the deeds of dragon slayers. This course traces the power
of the tales of the ring from J.R.R. Tolkien to Richard Wagner,
from the Middle High German epic the Nibelungenlied to
the Norse poetry of The Saga of the Volsungs, and back
to the twentieth century with Thomas Mann's The Blood of the
Walsungs. |
|
| 301 | MWF 2-3 | C. Frei |
| GRMN 008 |
Superstition
& Erudition: Daily Life in the Middle Ages. Individuals
in medieval times lived basically the same way we do today: they
ate, drank, needed shelter, worked, had sex, became ill, planned
religious holidays, talked about the weather, were intrigued by
the secrets of nature in their environment, traveled, and were eager
to learn about people and customs in distant places. The difference,
of course, lies in the manner in which they carried out these actions
and fulfilled their goals. This course focuses on several aspects
of daily life in the Middle Ages (12th - 16th centuries). We will
gain insights into medieval chronology and astrology, around which
a multitude of quotidian happenings were centered (farming, slaughtering
of animals, personal hygiene, marrying, escaping from jail, steps
taken to conceive a male child, appropriate days to let blood, etc.).
We will look at medieval cookbooks and become instantly disillusioned
with today's so-called medieval banquets. We will discuss daily
life in and around the university, and investigate the curiosities
and hazards of traveling by land or sea. Finally, the course will
explore the precarious state of medieval medicine and pharmacy,
the specific diseases of men and women and their frequently barbaric
treatments, the use of so-called wonder drugs, exotic plants and
animals by professional physicians and medical charlatan alike,
and early forms of marketing. Distribution II: History and Tradition |
|
| 301 |
MWF 11-12 |
F. Brevart |
Recommended Courses for German Studies Majors
| HIST 430 |
The
Rise and Fall of the Third Reich. |
|
| 001 |
Lecture MW 11-12** **Registration in a recitation section is also required. |
T. Childers |
|
|
||
| Additional courses TBA. | ||
