| DR. KATHRYN HELLERSTEIN Ruth
Meltzer Senior Lecturer in Yiddish and Jewish Studies
101A Bennett
Hall
University
of Pennsylvania
Philadelphia,
PA 19104-6305
215-898-7103
/7332 (message)
email:
khellers@mail.sas.upenn.edu |
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Dr. Kathryn Hellerstein is the Ruth Meltzer Senior Lecturer
in Yiddish
and Jewish Studies
at the University of
Pennsylvania. Educated at Wellesley,
Brandeis, and
Stanford, Hellerstein is known
as a poet and a translator, as well as a scholar of Yiddish
poetry.
Hellerstein's books include her translation and study of Moyshe-Leyb
Halpern's poems, In New York: A Selection, (Jewish
Publication Society, 1982), Paper
Bridges: Selected Poems of Kadya Molodowsky (Wayne
State University Press, 1999), and Jewish American
Literature: A Norton Anthology, of which she is
co-editor (W. W. Norton, 2000).
She is also a major contributor to American Yiddish Poetry:
A Bilingual Anthology (University of California Press,
1986).
Hellerstein's many scholarly articles on Yiddish literature,
and most recently, on women poets in Yiddish, are published in journals,
anthologies, and encyclopedias,
including Prooftexts, Shofar, Source,
Chulyot,. Borders, Boundaries and
Frames...: Essays from the English Institute,
Jewish Women in America: An
Historical Encyclopedia, and Gender and Text
in Modern Hebrew and Yiddish Literature.
Individual translations by Hellerstein have been published
in Forward, Partisan Review, Kenyon Review,
Der Pakn Treger, Two Lines, Princeton
University Library Chronicle. Her own poems have
appeared in the journals Poetry, Tikkun,
Bridges, Religion and Literature,
Judaism, Gastronomica, and
the anthologies Without a Single Answer_ (Judah
Magnes Museum, 1990), Four Centuries of Jewish Women's
Spirituality (Beacon, 1992), and Reading Ruth
(Ballantine, 1994). Her work has also appeared in
The New York Times Book Review and The New York Review of Books.
Kathryn Hellerstein's current projects include Anthology
of Women Yiddish Poets and a critical book, A Question
of Tradition: Women Poets in Yiddish,
supported in 1999-2000 by a fellowship from the Guggenheim
Foundation.
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