DSS.950119 Minutes, Dead Sea Scrolls Class, 19 Jan 1995 University of Pennsylvania, Religious Studies 225, Robert Kraft Brad Kirkegaard, recorder (ed RAK) Preliminaries: Minutes of the first class session can be found in the class archive on the ccat gopher. Most class members can access it by typing "gopher ccat.sas.upenn.edu" from the unix command line. The menus are pretty self-explanatory thereafter. Note that the list of approved books for review has also been placed in a separate file. Sometime soon people should be choosing their books and notifying RAK, who will add appropriate notations to the file to avoid too much duplication. The reviews should consist of about two pages (500 words), and should reflect your knowledge gained from the required reading in VanderKam and Fitzmyer. These will be due before spring break (beginning of March). The general plan of attack is for everyone to get the introductory materials (VanderKam, Fitzmyer, your review book) under their belts quickly so we can plunge into the primary sources for ourselves, with some awareness of the issues and problems. Main translations of primary material (see also the Course Requirements): Garcia Martinez - represents the most complete translation. The appendix in the back will make some sense of the different naming systems that have been employed over the years for the documents (basic system lists cave, document and specific copy, when relevant; e.g. 1QIsa\a is from cave 1 at Qumran, the text of Isaiah, copy 1). Gaster - 2 main values. The first is both good and bad, he doesn't translate very literally, but with an eye to what he thinks the texts mean, in the framework of his extensive knowledge of early Judaism and the ancient world. The second major value of Gaster is that he has an appendix that is organized topically (e.g. laws, opponents, eschatology, etc.). Vermes (pronounced Vermesh) - attempts to be fairly literal and has achieved wide acceptance; most criticized for not providing line numbers (essential for working with photographs, etc.). An expanded version including many of the recently released fragments, and line numbers (thus comparable in scope and format to Garcia Martinez) is announced for release in May. Student Question: Any simple ways to get started in this material ("Reader's Digest version")? In addition to the secondary literature already mentioned, the Anchor Bible Dictionary provides a good basic overview as well as references to other sources (see John J. Collins, "Dead Sea Scrolls"; also J. Murphy-O'Connor, "Qumran"). The introductions for each of the aforementioned translations also provide a good starting place. Two other sources utilizing visual images as well include the film for today (see below; there are also other films on the subject) and the "Dead Sea Scrolls Revealed" CD-ROM. The CD-ROM should be available for use in MMETS (basement of Rittenhouse Lab) some time after Monday. One copy will also eventually be ready for use in the Van Pelt Library (reference section). And, fingers crossed, one copy will be up and running in our very own computer lab in 109-110 Duhring Wing in about two weeks. A brief bit of history on recent scholarship on the scrolls (for more details, see VanderKam ch.7 and Fitzmyer, passim [= "here and there"]): Up until about four years ago, before Hershel Shanks launched his campaign in the Biblical Archaeology Review magazine (about 1990, with increasing intensity), access to the material was somewhat limited for some researchers, largely based on connections and whether one was deemed a responsible scholar. Then the director of the Huntington library in southern California discovered that the library had photos of all of the scrolls and decided to fulfill his role of making information available by releasing them to the public. This doubtless influenced the newly formed committee in Jerusalem to hasten the release of the official photographic archive for public access, and to publish the photos officially in 1993. The film you are about to see was made in 1991, in the midst of these developments. Film - "Secrets of the Dead Sea Scrolls" (NOVA from the WGBH Collection, Boston: Films for the Humanities & Sciences, FFH 3000; 60 min., color) Throughout their history controversy has surrounded the scrolls. In 1946 three Bedouin shepherds were travelling through the area. The youngest in search of a stray found the first of the Qumran caves. (Brief description of the texts partly from RAK and partly from film: the texts date from around 250BCE to 70CE. The fragments of the book of Exodus from ca. 250BCE represent the oldest preserved biblical text. Most of the texts are of a somewhat more sectarian nature - who these people were remains an issue of debate. The texts are written mostly in Hebrew (some Aramaic and Greek), and mostly on leather, with some papyri and even one on copper.) Back to our film story... After finding the scrolls the Bedouin brought them to Bethlehem to sell to Kando, who was a cobbler (the Bedouin thought the leather would have some value for making straps for shoes, etc.) but also sometimes dealt in antiquities. Some of these documents were then purchased by the Metropolitan (a high church office) Samuel, who thought they might be very old documents in Syriac. Three more texts, still in Bethlehem, were bought by Sukenik, and Israeli scholar. Samuel, having realized something of the value of his property, took it to America where it received great acclaim. However, after 5 yrs. he was still unable to sell it for his asking price of 1 million dollars. He then advertised it in the Wall Street Journal, where it was seen and purchased through a complex string on negotiations by a visiting Israeli scholar, Yigael Yadin, for $250,000. The Shrine of the Book Museum was then built in Jerusalem to house the documents. In 1952 a second cave was found by the Bedouin. The archaeological community, partly not wanting to pay the Bedouin, and partly thinking they might hit pay dirt went on to dig some 275 caves - only one of which, cave 3, resulted in significant finds. The Bedouin, on the other hand, hit pay dirt again with cave 4. Their large number of fragmentary documents were then bought by the Jordanians for the Palestine Museum (subsequently renamed the Rockefeller Museum). The project of deciphering them was under Jordanian control, and no Jews were includeded on the team - the seeds for future conflicts. The story now jumps to John Strugnell and the scholars who painstakingly tried to reassemble the documents. The canonical texts were separated off and the fragments arranged. The non-canonical material, however, was not particularly easy to reassemble. This elaborate jigsaw puzzle was pieced together primarily by handwriting of the scribes, shapes of fragments, and and other physical characteristics of the different scraps. Qumran. This site, some 14(?) miles East of Jerusalem, was originally thought to be a Roman garrison. Popular opinion now sets it as the home of a sectarian Jewish community known as the Essenes (though scholarly opinion continues to have dissenting views). The Essenes were a monastic group who left Jerusalem in protest to establish a purified community and await the end times. They were destroyed in 68 CE by the Romans, in connection with the "first Jewish revolt" against Rome. Excavation at Qumran began in the early 1950s under the direction of the eccentric figure of Roland de Vaux. He was struck by parallels to a monastic community. More particularly he felt that the discoveries fit well with the type of community described in the scrolls (room where they might have been written - ink wells, etc., possible dining hall and pantry - large number of pots, grave site with majority of male remains.) [Time ran out: the Film will be concluded next class.] /end dss minutes.950119/