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--- N A T A S H A S A J É
Ruins now,
in a cherry orchard
on a hill above the city—
white washed cells
around a central observation point: a divine plan
by the Friends of Philadelphia in 1820.
It would, said the Friends, counter the promiscuity of the gaol
with its alcohol, its garnish, its dishonest
mingling.
It would counter the chain gang,
the sport of the vicious working in public,
not punish bodies
but reform souls.
No more stocks, pillories, tortures.
Think monastery—inmates
asked only to pray
each in his own quiet cell, skylit, windowless, his own voice
echoing.
Think penitent, from Latin, to be sorry.
If you go see it,
if you walk the deserted corridors, place yourself in the
mid-point of the starfish
you are the guard watching all the arms
with a clever system of mirrors.
But if the prisoner,
your food is given to you through a slot in the sealed door,
you have no work, no book except the Bible.
You do not see a human face or hear a human voice for years.
Complete and austere,
secret from the clatter of the city.
Thick inside thick walls, your punishment acts deeply
on your heart,
on the soft fibers of your brain.
Its radiant form, its gossamer sticky web—
the seed of experiment—
reproduced
like bindweed, like staph
with you, this very moment its object.
Though you have committed no crime,
though you are not imprisoned
isolated
or surveyed.
You can sleep soundly.
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© crossconnect, inc 1995-2003
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published in association with the
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university of pennsylvania's
kelly writers house
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