THE MUNICIPAL GALLERY REVISITED
 
 AROUND me the images of thirty years:
 An ambush; pilgrims at the water-side;
 Casement upon trial, half hidden by the bars,
 Guarded; Griffith staring in hysterical pride;
 Kevin O'Higgins' countenance that wears
 A gentle questioning look that cannot hide
 A soul incapable of remorse or rest;
 A revolutionary soldier kneeling to be blessed;
 An Abbot or Archbishop with an upraised hand
 Blessing the Tricolour.  "This is not,' I say,
 "The dead Ireland of my youth, but an Ireland
 The poets have imagined, terrible and gay.'
 Before a woman's portrait suddenly I stand,
 Beautiful and gentle in her Venetian way.
 I met her all but fifty years ago
 For twenty minutes in some studio.
 
 III
 Heart-smitten with emotion I Sink down,
 My heart recovering with covered eyes;
 Wherever I had looked I had looked upon
 My permanent or impermanent images:
 Augusta Gregory's son; her sister's son,
 Hugh Lane, "onlie begetter' of all these;
 Hazel Lavery living and dying, that tale
 As though some ballad-singer had sung it all;
 Mancini's portrait of Augusta Gregory,
 "Greatest since Rembrandt,' according to John Synge;
 A great ebullient portrait certainly;
 But where is the brush that could show anything
 Of all that pride and that humility?
 And I am in despair that time may bring
 Approved patterns of women or of men
 But not that selfsame excellence again.
 My mediaeval knees lack health until they bend,
 But in that woman, in that household where
 Honour had lived so long, all lacking found.
 Childless I thought, "My children may find here
 Deep-rooted things,' but never foresaw its end,
 And now that end has come I have not wept;
 No fox can foul the lair the badger swept –
 
 VI
 (An image out of Spenser and the common tongue).
 John Synge, I and Augusta Gregory, thought
 All that we did, all that we said or sang
 Must come from contact with the soil, from that
 Contact everything Antaeus-like grew strong.
 We three alone in modern times had brought
 Everything down to that sole test again,
 Dream of the noble and the beggar-man.
 
 VII
 And here's John Synge himself, that rooted man,
 "Forgetting human words,' a grave deep face.
 You that would judge me, do not judge alone
 This book or that, come to this hallowed place
 Where my friends' portraits hang and look thereon;
 Ireland's history in their lineaments trace;
 Think where man's glory most begins and ends,
 And say my glory was I had such friends.