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   j u l y    3 0 -3 1,    2 0 0 0

--- R A Y   D I P A L M A


It is the curse of a certain order of mind that it can never rest satisfied with the consciousness of its ability to do a thing. Still less is it content with doing it. It must both know and show how it is done. -Poe, Marginalia

The exculpation of taboos Only the barest details were necessary Plenty of darkness found under the stone light

Only the first steps The earliest expressions absorbed in the disclosures The words make of their earliest promptings

The sharpest edges were where they held back Presenting the parts that remain of lasting perplex

The continuities of brief expressions Afforded the explicit substance of expectation met with emphasis

Profound and quiet change the only marvel

Ceasing to be merely a lyric consequence

Who decides what the determinations are to be Where are and who are the arbiters

All this is perceived as dispersed is real Well and ample in the equation

The valence comprised of the convictions of nostalgia Addressing a series of people mentioned only by name Who are they now that they've never been?

The precincts of stealth continually renewed Spectacle mistaken for metamorphosis

Agora and agon Strangers conversing among others who are friends The narrowest aspects emerge from the specific setting The streets and rooms windows and doors

Stone and dust in the sun and rain The overwhelming past no more than a course of false moves

Only the barest details were necessary Only the first steps The earliest expressions absorbed in the disclosures

Profound and quiet change the only marvel Ceasing to be merely a lyric consequence

The precincts of stealth continually renewed Plenty of darkness found under the stone light

The exculpation of taboos Only what

is perceived as dispersed is real Well and ample in the equation

The sharpest edges were where they held back Presenting the parts that remain of lasting perplex

Agora and agon Strangers conversing among others who are friends The narrowest aspects emerge from the specific setting The streets and rooms windows and doors

Stone and dust in the sun and rain The overwhelming past no more than a course of false moves The valence comprised of the convictions of nostalgia Addressing a series of people mentioned only by name Who are they now that they've never been?

Ceasing to be merely a lyric consequence Who are they now that they've never been?

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published in association with the |
university of pennsylvania's kelly writers house |