AAIS 2001

Saturday, April 21 / 8:00 am

Breakfast
Houston Hall/Reception Area

Saturday, April 21 / 8:30 - 10:00 am

Conference Sessions

Houston Hall/Golkin
LO STATO DELLE COSE: LA POESIA ALLO STATO NASCENTE

Organizer: Ernesto Livorni, University of Wisconsin at Madison
Chair: Francesco Forte, Oedipus Edizioni
Respondant: Graziella Sidoli, New York University

L'AMERICA DEI PADRI, Ernesto Livorni, University of Wisconsin at Madison: a commented reading of poems from the collection.

TUTTO QUESTO, Mario Moroni, University of Memphis: a commented reading of poems from the collection.

DARDI, Paolo Valesio, Yale University: a commented reading of poems from the collection

Houston Hall/Class of '47
CROSSING TEXTUAL AND THEOLOGICAL BOUNDARIES IN DANTE'S COMMEDIA

Organizer and Chair: Guy P. Raffa, University of Texas at Austin

TOWARD THE INNOCENCE OF A CHILD? THE CLUSTER OF SIMILES ON THE CHILD IN PARADISO, Thomas E. Mussio, Fairfield University

MISTICA ED ERMENEUTICA, Giuliana Carugati, Emory University

DANTE'S DIALECTICAL HERMENEUTICS, Guy P. Raffa, University of Texas at Austin

Houston Hall/Platt
IL DIBATTITO SULLE DONNE NEL SETTECENTO ITALIANO: CONTRIBUTI LETTERARI E NON

Organizer and Chair: Francesca Savoia, University of Pittsburgh

LA CULTURA DELL'IMPROVVISO: WOMEN POETS AND IMPROVISERS IN ARCADIA, Paola Giuli, Saint Joseph’s University

PIETRO VERRI EDUCATORE: I RICORDI A MIA FIGLIA TERESA E LA DISCUSSIONE SULLA DONNA NEL CAFFÉ, Cristina Abbona, Brown University

LE AVVENTURE DI UNA POETESSA: WOMAN'S IMPEGNO IN A COMEDY BY LUISA BERGALLI, Adrienne Ward, University of Virginia

Houston Hall/Brachfeld
TAVOLA RETTANGOLARE: AUTHORITY AFTER DANTE

Oganizer and Chair: Albert Russell Ascoli, University of California - Berkeley

THE IMAGE OF AUTHORSHIP IN THE VITA NUOVA'S FINAL CHAPTER, Toby Levers, University of California - Berkeley

TRISSINO, DANTE, AND VERNACULAR AUTHORITY, John Hill, University of California - Berkeley

VASARI'S NEW MODEL OF AUTHORSHIP AND THE ESEQUIE FOR MICHELANGELO'S DEATH, Marco Ruffini, University of California — Berkeley

Houston Hall/Bishop White
ITALIAN CINEMA AND CULTURE

Organizer and Chair: Sheryl Postman, University of Massachusetts at Lowell

LADRI DI BICICLETTE: STUDIO PER UNA SOLUZIONE DEL PROBLEMA SOCIALE, Isabella Petrone, Miami University

CONSUMER CINEMA: RISO AMARO DI GIUSEPPE DE SANTIS, Silvia Carlorosi, Miami University, Oxford, Ohio

SLAPSTICK, HUMOR AND THE MEANING OF LIFE IN BENIGNI'S IL MOSTRO, Mario Aste, University of Massachusetts at Lowell

Houston Hall/Morris Seitz Memorial
NATURE AND ANIMALS IN LITERATURE

Organizer: Silvia Ross, National University of Ireland, University College Cork
Chair: Sharon Wood, University of Leicester

IL BESTIARIO DELL'INGEGNERE. GATTI, CAVALLI, ASINI, GUFI, GALLINE E MAIALI NELL'OPERA DI CARLO EMILIO GADDA, Federica Pedriali, University of Edinburgh

MARCOVALDO'S WHITE RABBIT: ANIMALS AND NATURE IN ITALO CALVINO, Silvia Ross, National University of Ireland, University College Cork

WOMEN AS FISH IN DACIA MARAINI'S DONNA IN GUERRA, David Del Principe, Montclair State University

Houston Hall/Griski
VIDEO AND LANGUAGE INSTRUCTION IN THE ITALIAN CLASSROOM

Organizer and Chair: Helen McFie Simone, University of Pennsylvania

THE CINEMATIC BIFOCAL: HELPING STUDENTS TO APPRECIATE BOTH ITALIAN AND AMERICAN CULTURE THROUGH THE LENS OF THE ITALIAN CINEMATIC OTHER, Helen McFie Simone, University of Pennsylvania

ITALY AL FRESCO: ITALIAN CIVILIZATION ON VIDEO, Rebecca Pauly, West Chester University

ALCUNE PROPOSTE PER L’USO DI MATERIALE VIDEOREGISTRATO NELLE CLASSI D’ITALIANO, Camilla Presti Russell, University of Maryland

LO SPOT TELEVISIVO IN CLASSE: CONFRONTO CULTURALE E LINGUISTICO NELL’UNIVERSO PUBBLICITARIO, Barbara Spinelli, Mount Holyoke College

Houston Hall/Rein Family
ITALO CALVINO

Organizer: AAIS COMMITTEE
Chair: Jonathan Steinberg, University of Pennsylvania

"ON THE BEACH" CON ITALO CALVINO, Angela M. Jeannet, Emerita, Franklin and Marshall College

L'AUTOIMMAGINE DI CALVINO FRA L'URSS, L'USA E IL PARNASO, Joseph Francese, Michigan State University, East Lansing

Saturday, April 21 / 10:00 - 10:15 am

Refreshments
Houston Hall/Reception Area

Saturday, April 21 / 10:15 - 11:45 am

Conference Sessions

Houston Hall/Class of '47
IMITATION MATTERS IN MEDIEVAL AND RENAISSANCE LITERATURE

Organizer: JoAnn DellaNeva, University of Notre Dame
Chair: Dennis Looney, University of Pittsburgh

DANTE'S ACTIVE HERMENEUTICS: VIRGIL, STATIUS AND AUGUSTINE'S RULE OF CHARITY, Simone Marchesi, Princeton University

SUFFERING SHIPWRECK: THE FATE OF JEROME'S USE OF THE SEA-METAPHOR FOR PENITENCE IN BOCCACCIO AND JACOPO PASSAVANTI, OP (+1357), Timothy Kircher, Guilford College

INVITING IMITATION: THE RHETORIC OF ECLECTICISM IN THE PREFACES OF THE GIOLITO ANTHOLOGIES, JoAnn DellaNeva, University of Notre Dame

Houston Hall/Brachfeld
THE ITALIAN LYRIC ANTHOLOGY

Organizer and Chair: Victoria Kirkham, University of Pennsylvania

THE BIRTH OF THE TUSCAN CANON, Victoria Kirkham, University of Pennsylvania

THE TRIUMPH OF WOMANHOOD: VERONICA FRANCO'S TRANSFORMATION OF THE POLYPHONIC LYRIC ANTHOLOGY INTO A PERSONAL STAGE, Fabio Finotti, University of Trieste; Visiting Professor, University of Pennsylvania

WHO'S IN, WHO'S OUT?: THE HOW, WHY, AND WHEREFORE OF MODERN ITALIAN LYRIC ANTHOLOGY FORMATION IN ITALY AND THE UNITED STATES (1970-2000), Rebecca West, University of Chicago

Houston Hall/Rein Family
POST/COLONIAL ITALY

Organizer and Chair: Alessandra Di Maio, Smith College

COLONIALISMO ALL'ITALIANA TRA PAGINA LETTERARIA E IMMAGINE FILMICA, Cristina Bragaglia, Università di Bologna

CINEMATIC REPRESENTATION OF OTHERNESS, Marie Orton, Truman University

PROSPETTIVE POST-COLONIALI: ALCUNE PROPOSTE DI LETTURA PER UNA DISCUSSIONE DELL'IDENTITÀ ITALIANA, Sergia Adamo, Università di Trieste

AJANTALA-PINOCCHIO, DI BODE SOWANDE: UN'AVVENTURA DI MAGIA MODERNA TRA MITO E ALLEGORIA, Isabella Maria Zoppi, CNR, Centro per lo Studio delle Letterature e delle Culture delle Aree Emergenti, Torino, Italia

Houston Hall/Bishop White
CONTEMPORARY ITALIAN CULTURE THROUGH CINEMA

Organizers: Claire Marrone, Sacred Heart University, and Mary Ann McDonald Carolan, Fairfield University
Chair: Mary Ann McDonald Carolan, Fairfield University

NICHETTI'S LUNA E L'ALTRA: THE SUBJECT OF THE TWENTY-FIRST CENTURY, Marguerite R. Waller, University of California at Riverside

SANTI E INFAMI: LE AGIOGRAFIE EVERSIVE DI PIER PAOLO PASOLINI, Stefania Benini, Stanford University

CARO DIARIO: AUTOBIOGRAPHY AND FILM HISTORY, Mary Ann McDonald Carolan, Fairfield University

Houston Hall/Morris Seitz Memorial
GIORDANO BRUNO

Organizer and Chair: Armando Maggi, University of Chicago

THE PROPERTIES AND THE EVENTUAL TRANSMIGRATION OF G. BRUNO'S MNEMONIC SCIENCE, Paul Colilli, Laurentian University

WHAT IS THE MATH IN BRUNO'S MATHESIS?, Ariell Saiber, Bowdoin College

FUROR CORDIS: ALBERTI, BRUNO E GLI UMORI INFIAMMABILI, Stefano Cracolici, Dartmouth College

Houston Hall/Platt
ITALIAN TWENTIETH CENTURY WOMEN WRITERS, I

Organizer and Chair: Giuliana Sanguinetti Katz, University of Toronto

GRAZIA DELEDDA ENTREPRENEUR, Vilma Ricci, University of Toronto

ANNA FRANCHI: RADICAL FEMINISM AND THE NOVEL IN EARLY TWENTIETH CENTURY ITALY, Sharon Wood, University of Leicester

NAJA TRIPUDIANS DI ANNIE VIVANTI: PLAGIO O INVENZIONE?, Anne Urbancic, University of Toronto

Houston Hall/Golkin
CONTEMPORARY CULTURAL PRACTICES IN ITALY: IMAGES, SOUNDS, FICTIONS, I

Organizer and Chair: Patrizia La Trecchia, University of Pennsylvania

THE MAFIA AND THE MOVIES: THE CONSTRUCTION OF THE ITALIAN IDENTITY IN THE UNITED STATES, OR WHY ITALIAN STUDIES ARE BEING ELIMINATING AT NEBRASKA AND UNDER ATTACK EVERYWHERE, Ben Lawton, Purdue University

SANDRO VERONESI AND THE EPOS OF A DAY, Anthony J. Tamburri, Florida Atlantic University

COSÌ RIDEVANO: I FRATELLI DIMENTICATI DI ROCCO E SIMONE, Antonio Vitti, Wake Forest University

Houston Hall/Griski
INNOVATIONS IN LANGUAGE PEDAGOGY: WEB-ENHANCED INSTRUCTION, I

Organizers: Nicoletta Marini and Kathryn K. McMahon, University of Pennsylvania
Chair: Nicoletta Marini, University of Pennsylvania

WEB ENHANCEMENT IN THE FOREIGN LANGUAGE CLASS, Elisabetta Maria Ferrero, Saint Thomas University

ITALIAN CULTURAL WEB ACTIVITIES, Rita D’Amico, Southern Methodist University

CLASSROOM VS. "VIRTUAL LANGUAGE LEARNING ENVIRONMENT", Nebojsa Radic, University of Aukland

RESPONSIVE TECHNOLOGY: IMMEDIATE NEEDS ANALYSIS WITH LIVING INSTRUCTIONAL DESIGN, Shirley Ann Smith, Skidmore College

Saturday, April 21 / 12:00 - 2:00 pm

Women's Caucus, Conference Session, and Pedagogy Workshop

Organizer: Paola Malpezzi Price, Colorado State University

Houston Hall/Golkin
TAVOLA VIRTUALE. ELECTRONIC TEXTUAL ACCESS: DEMONSTRATIONS OF THE THE WORLD OF DANTE AND OPERA DEL VOCABOLARIO ITALIANO PROJECTS

Organizer: Deborah Parker, University of Virginia
Chair: Victoria Kirkham, University of Pennsylvania

THE WORLD OF DANTE: A HYPERMEDIA ARCHIVE FOR STUDY OF THE INFERNO, Deborah Parker, University of Virginia

OPERA DEL VOCABOLARIO ITALIANO DATABASE, Christian Dupont, University of Notre Dame

Houston Hall/Griski
PEDAGOGY WORKSHOP

Saturday, April 21 / 2:00 - 3:30 pm

Conference Sessions

Houston Hall/Class of '47
ITALIAN LYRIC POETRY FROM THE SICILIANS TO DANTE, I

Organizer and Chair: Manuele Gragnolati, Dartmouth College

GUITTONE D'AREZZO. LA CANZONE "AHI DEO, CHE DOLOROSA", Daniela Difrancesco, Harvard University

BANKERS IN HELL: THE POETRY OF MONTE ANDREA AND DANTE’S CRITIQUE OF THE FLORENTINE MERCANTILE OLIGARCHY IN INFERNO, Justin Steinberg, University of California, Berkeley

LA DONNA-LUCE DEI TESTI POETICI STILNOVISTI, Maria Adelaide Basile, Rutgers University

Houston Hall/Morris Seitz Memorial
POESIA ITALIANA DEL NOVECENTO IN LINGUA E DIALETTO, I

Organizer: Pier Massimo Forni, Johns Hopkins University
Chair: Federica Brunori Deigan, University of Pennsylvania

'REVOLVERATE' BY GIAN PIETRO LUCINI: BETWEEN PAST AND FUTURE, Izumi Otani, St. Hugh's College, Oxford

'IMMAGINI TESE': INTERMITTENZE DEL SUBLIME NELLA LIRICA DEL NOVECENTO, Costantino Costantini, Emory University

MONTALE'S AVERSION TO PHENOMENOLOGY, Walter Zampieri, College of the Holy Cross

NARRATIONS AND ALLEGORIES OF TEMPORALITY: THE RHETORIC OF TIME RENDITION IN BIAGIO MARIN, Andrea Malaguti, Bennington College

Houston Hall/Platt
ITALIAN TWENTIETH CENTURY WOMEN WRITERS, II

Organizer and Chair: Giuliana Sanguinetti Katz, University of Toronto

CON CUORE DI DONNA. AUTOBIOGRAPHICAL ACCOUNTS OF TWO WOMEN IN THE ROMAN RESISTANCE, Barbara Zaczek, Clemson University

ELISA, ANNA, IL BUTTERATO E LA MALAFEMMINA: LA 'STRAMBA EPOPEA' FAMILIARE DI ELSA MORANTE, Claudia Pompei Karagoz, University of California at Berkeley

CIOCCOLATA DA HANSELMANN OVVERO L'IMPOSSIBILE NEUTRALITÀ DELLA STORIA, Simona Wright, The College of New Jersey

Houston Hall/Bishop White
SCHERMI A DUELLO: APPROCCI COMPARATIVI ALLA FICTION TELEVISIVA ITALIANA

Organizer: Giancarlo Lombardi, The College of Staten Island/CUNY
Chair: Donatella Saroli, Rutgers University
Respondant: Giancarlo Lombardi, Smith College.

LA FICTION E L'INFORMAZIONE: DEGENERAZIONI E RIGENERAZIONI, Gianfranco Marrone, Università di Palermo e Bologna

RAI USA, ISTRUZIONI PER L'USO, Giovanna Bellesia, Smith College

REVISIONISM IN MAURIZIO NICHETTI'S LADRI DI SAPONETTE, Rita Gagliano, Rutgers Unversity

Houston Hall/Golkin
CONTEMPORARY CULTURAL PRACTICES IN ITALY: IMAGES, SOUNDS, FICTIONS, II

Organizer: Patrizia La Trecchia, University of Pennsylvania
Chair: Ellen Nerenberg, Wesleyan University

THE NEW MEDIA SYSTEM IN ITALY: CHANGE, PERSONALIZATION, EXCLUSION, David Forgacs, University College London

MUSICAL SUBCULTURES IN CONTEMPORARY NAPLES, Patrizia La Trecchia, University of Pennsylvania

FASHION AS AGENT OF CULTURAL ANALYSIS, Eugenia Paulicelli, Queens College and The Graduate Center, CUNY

Houston Hall/Griski
INNOVATIONS IN LANGUAGE PEDAGOGY: CURRICULAR ISSUES, II

Organizers: Kathryn K. McMahon and Nicoletta Marini, University of Pennsylvania
Chair: Kathryn K. McMahon, University of Pennsylvania

USO DEL FILM C’ERAVAMO TANTO AMATI DI ETTORE SCOLA IN FORMATO DVD NEI CORSI INTERMEDI, Daniela Bartalesi Graf, Tufts University

CURRICULAR ISSUES IN THE TEACHING OF ITALIAN AT THE INTERMEDIATE LEVEL: AN INNOVATIVE COURSE CURRICULUM, Patricia Di Silvio, Tufts University

USING MULTIMEDIA IN TEACHING ITALIAN LANGUAGE AND CULTURE, Fulvia Musti, Georgetown University

THEMES AND VARIATIONS; MOVING TOWARDS FLUENCY: AN INNOVATIVE APPROACH TO SECOND-YEAR ITALIAN, Antonella D. Olson, University of Texas at Austin

Houston Hall/Brachfeld
RENAISSANCE READINGS AND RE-WRITINGS

Organizer: AAIS COMMITTEE
Chair: Dennis Looney, University of Pittsburgh

FEDE E RISCRITTURA: IL FURIOSO DEL '32, Albert Russell Ascoli, University of California, Berkeley

UNA MODERNA EDIZIONE DI DELLA MAGIA D'AMORE DI GUIDO CASONI, Armando Maggi, University of Chicago

THE BODY OF EXPRESSION IN TASSO, Lenore Kitts, University of California, Berkeley

Houston Hall/Rein Family
ITALY/AFRICA

Organizer: AAIS COMMITTEE
Chair: Gabriella Romani, Barnard College

MEMORIES OF ITALIAN EAST AFRICA, Charles Burdett, University of Bristol

EX-COLONIAL OR POST-COLONIAL IDENTITIES: PERCEPTIONS OF THE SELF AND OF THE TEXT IN WRITING IN ITALIAN BY IMMIGRANTS, Jennifer Burns, University of Warwick

THE SHIPWRECK OF THE "BODIES OF NOSTALGIA" IN MEDITERRANEAN WATERS AS TOLD BY TAHAR BEN JELLOUN AND PEPPE LANZETTA: FROM MOROCCO TO NAPLES WITH BAGS OF SAND AND TRUNKS FULL OF FABLES, Roberta Morosini, Wake Forest University

Saturday, April 21 / 3:30 - 3:45 pm

Refreshments
Houston Hall/Reception Area

Saturday, April 21 / 3:45 - 5:15 pm

Conference Sessions

Houston Hall/Class of '47
ITALIAN LYRIC POETRY FROM THE SICILIANS TO DANTE, II

Organizer and Chair: Manuele Gragnolati, Dartmouth College

LA SECRETISSIMA CAMERA DEL CUORE: SECRECY AND OBFUSCATION IN THE VITA NOVA, Carin Mc Lain, Columbia University

FROM LYRIC SEQUENCE TO PROSIMETRUM: DANTE'S NARRATIVE PROJECT IN VITA NUOVA, Dino Cervigni, The University of North Carolina at Chapel Hill.

PASSIONI E MATERIA NELLE RIME PETROSE DI DANTE, Anna Maria Digirolamo, New York University

Houston Hall/Morris Seitz Memorial
POESIA ITALIANA DEL NOVECENTO IN LINGUA E DIALETTO, II

Organizer and Chair: Pier Massimo Forni, Johns Hopkins University

CARLO LEVI, POESIE DEL CONFINO (1935-1936), Maria X. Wells, The University of Texas at Austin

SWANS AND SWALLOWS: THE HERMETIC IMAGE IN THE POETRY OF THE 'TERZA GENERAZIONE', Viktor Berberi, Indiana University

LA NOVITÀ DELLA TRADIZIONE NELLA POESIA DI PATRIZIA VALDUGA, Antonello Borra, Ithaca College

LEONARDO SINISGALLI TRA SCIENZA E POESIA, Franco Vitelli, Universita' di Bari

Houston Hall/Platt
IDENTITÀ E SCRITTURA IN ANNA MARIA ORTESE

Organizer and Chair: Andrea Baldi, Rutgers University

RITORNO ALLA FEMMINILITÀ COME TENTATO RECUPERO DEL LINGUAGGIO MATERNO. ANASTASIA FINIZIO IN "INTERNO FAMILIARE" (IL MARE NON BAGNA NAPOLI, 1953), Cosetta Seno Reed, University of California at Berkeley

LA SINDROME DI PENELOPE. IL DISCORSO D'AMORE DI ANNA MARIA ORTESE, Monica Farnetti, Smith College

CON TRISTEZZA E CON AMORE. LE FORME DEL SENTIRE NEGLI SCRITTI DI VIAGGIO DI ANNA MARIA ORTESE, Giorgio Rimondi, Istituto Navarra, Ferrara

Houston Hall/Bishop White
IL NUOVO CINEMA ITALIANO FRA IMPEGNO E DISIMPEGNO

Organizer: Giancarlo Lombardi, The College of Staten Island/CUNY
Chair: Cosetta Gaudenzi, University of Georgia

THE INDUSTRY, THE IDEOLOGY OF 1968 AND THE NEW ITALIAN CINEMA, Tiziana Ferrero-Regis, Griffith University, Brisbane, Australia

ITALIA 1976-1996. STORIA E CINEMA NAZIONALE TRA RESISTENZA E IMPEGNO, Manuela Gieri, University of Toronto

TERRORISM, TRUTH, AND DEVIATIONS: QUESTIONING ACCOUNTABILITY IN LE MANI FORTI, Giancarlo Lombardi, The College of Staten Island/CUNY

Houston Hall/Brachfeld
EPICA E ROMANZO NEL CINQUECENTO

Organizer and Chair: Laura Benedetti, Harvard University

GIRALDI CINZIO E LA FINE DEL ROMANZO, Laura Benedetti, Harvard University

THE SPECTER OF ROMANCE IN CINQUECENTO EPIC THEORY, Daniel Javitch, New York University

TASSO CONTRO ARIOSTO, Maria Cristina Cabani, Universita' di Siena

FORTINI E TASSO: EPICA E ROMANZO, Thomas E. Peterson, University of Georgia

Houston Hall/Golkin
CONTEMPORARY CULTURAL PRACTICES IN ITALY: IMAGES, SOUNDS, FICTIONS, III

Organizer and Chair: Patrizia La Trecchia, University of Pennsylvania

PRELIEVI STILISTICI, CITAZIONI E SUGGESTIONI: MARIO LUZI E PIER PAOLO PASOLINI NELLE CANZONI DI CLAUDIO BAGLIONI, Francesco Ciabattoni, Johns Hopkins University

NICCOLÒ AMMANITI E IL FANGO DI FINE MILLENNIO, Valerio Ferme, University of Colorado

I LIKE TO WATCH: MASS MEDIA AND CONTEMPORARY ITALIAN LITERATURE, Ellen Nerenberg, Wesleyan University

Houston Hall/Griski
INNOVATIONS IN LANGUAGE PEDAGOGY: CONFRONTI. A CROSS-CULTURAL APPROACH TO TEACHING ITALIAN, III

Organizers: Kathryn K. McMahon and Nicoletta Marini, University of Pennsylvania
Chair: Kathryn K. McMahon, University of Pennsylvania

Kathryn McMahon, University of Pennsylvania

Nicoletta Marini, University of Pennsylvania

Giovanna Faleschini, University of Pennsylvania

Meg Greenberg, University of Pennsylvania

Houston Hall/Rein Family
TWICE TOLD TALES

Organizer: AAIS COMMITTEE
Chair: Rebecca West, University of Chicago

GIANNI CELATI'S EMBEDDED TALES, JoAnn Cannon, University of California, Davis

"E LASCIATEMI DIVERTIRE": SGUARDO CRITICO ALL'ITER CORRETTORIO DELLE POESIE GIOVANILI DI ALDO PALAZZESCHI, Giuliana Adamo, Trinity College Dublin

LA TRADUZIONE DELLA LETTERATURA INFANTILE: PAR CONDICIO?, R. Masiola Rosini, Università per Stranieri di Perugia

Saturday, April 21 / 5:15 - 5:30 pm

Refreshments
Houston Hall/Reception Area

Saturday, April 21 / 5:30 - 6:30 pm

AAIS Plenary Session and Business Meeting
Houston Hall/Bodek Lounge

Saturday, April 21 / 7:00 - 11:00 pm

Cash Bar and Banquet
The Sheraton University City Hotel

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